destinatory

— The seeing consciousness of the actual observer or destinatory behaves as a master who wants to appropriate the art object, the text. As a matter of fact, it has every reason to behave so because the first dialectics—described in the preceding section—has found its mastery: to create a text, to create a work of art is from the outset to demand its hermeneutic reconstruction by a destinatory. […] that the receiver or observer (destinatory) can attain […]